aaamusic | On 18, Feb 2011

Brooklyn’s transcendental black metal band Liturgy are releasing their new album Aesthetica on 11 April on Thrill Jockey Records. Be prepared for something utterly breathtaking and bewitching with their unique blend of black metal, hardcore and experimental music. The band will be touring in Europe in April (dates below).

We are offering a taster with a free MP3 of the track “High Gold” (feel free to post!):

European Tour Dates
12.04.2011 BE Domino Festival w/ Merzbow, Sightings
13.04.2011 BE Antwerp Trix w/ Ludicra
14.04.2011 NL Utrecht dB’s
15.04.2011 NL Amsterdam OCCII
16.04.2011 NL Tilburg Roadburn Festival
18.04.2011 UK Cardiff Buffalo Bar
19.04.2011 UK London CAMP Basement
20.04.2011 UK Brighton Hector’s House
21.04.2011 DE Trier Exhaus
22.04.2011 CH Lausanne Impetus Festival
23.04.2011 DE Karlsruhe Dudefest
25.04.2011 DE Bielefeld AJZ w/ Extra Life
26.04.2011 DE Erfurt Stadtgarten Club
27.04.2011 DE Berlin Levee w/ Mi Ami
28.04.2011 DE Munich Atlantis Kino
29.04.2011 AT Krems donaufestival

LINKS:
Approved photos/bio here: http://thrilljockey.com/press/index.html?id=12788
Myspace: http://www.myspace.com/liturgynybm
Facebook: http://www.facebook.com/#!/liturgynybm

Liturgy
Aesthethica
Thrill Jockey Records – April 2011

Brooklyn based Liturgy is Hunter Hunt Hendrix, Greg Fox, Tyler Dusenbury, and Bernard Gann. Aesthethica, their second album and third release, shows the band exploring, in greater depth, themes initially touched on by their critically acclaimed debut album, Renihilation. The band used every instrument, literal or figurative, to produce meaning and intensity, disregarding the genre boundaries of black metal, hardcore and experimental music.

On Renihilation, Liturgy made use of simple song structures, and concentrated on sustaining a blindingly high intensity level from start to finish. Aesthethica, a more controlled and polyvalent effort, finds the band operating at multiple levels and using more varied forms. The music is both elaborately crafted and chaotically performed. Songs often begin in the form of a simple chant or hypnotic abstraction, then evolve into something dense and complex. A constant sensitivity to the states of attention that different musical patterns activate and foster, yields a paradoxical result: the more complex the music, the simpler the message. Cycling through the fundamental modes of being: stasis, chaos, repetition and entelechy, Aesthethica is a metaphorical exercise in affirmation.

The record is a unified whole. A major concern, sonically and lyrically, is the question of what it is to be meaningful, and how intensity relates to emotion or affect. Many of the songs activate and manipulate cliches relating to heroism, tragedy, hope, and so on by connecting black metal techniques to the spirit of film score writing (Vangelis, Badalamenti) and post-Romanticism (Scriabin, Sibelius). “High Gold” presents a vision of apocalypse, “Harmonia” presents a judgment on the meaning of life, and so on. The resulting collection of songs, at once, embodies and transcends these tropes. The music is supersaturated with lofty melodies and lyrics, bursting with frenzied execution, and builds to a boiling point of chaos, distorting all meaning and distilling to reveal the raw core of pure sonic joy. Liturgy surrounds these fractured islands of meaning with a sea of a-signifying ritual repetition and sound (Branca, Sleep, Lightning Bolt). Tear at the seams of the straitjacket of ordinary life, release the energy from the field of potentiality that it binds, enter the realm of the good and the beautiful, so commands Aesthethica.
Highly technical musicianship, poetico-mystical gesturing, and a minimal directness; all singular elements, whose interactions and reactions are contained in and bursting from a black metal framework. Revelatory contrasts presented in an intensely physical performance whose energy is palpable and whose abatement is as illuminating as its arrival.