Les Shelleys release ‘Les Shelleys’ and co-headline tour with Gregory & The Hawk
aaamusic | On 27, Oct 2010
Les Shelleys are an acoustic guitar/vocal duo from Los Angeles, consisting of FatCats folk asset Tom Brosseau and his singing partner Angela Correa, better known as the indie-pop singer/songwriter Correatown. This, their debut album together, is a collection of tracks taken from a vast body of recorded works beautiful, harmony-heavy voice and guitar arrangements of American standards and folk traditionals from various points of the last century.
Tom and Angela return for more co-headine shows with Gregory & The Hawk in November (except *)
18/11 – London – Brixton Windmill
20/11 – Brighton – The Albert (matinee show)
21/11 – Cardiff – Undertone
22/11 – Manchester – Night & Day Cafe
23/11 – Leeds Oporto
28/11 tba*
Introduced and encouraged in 2002 by California-based songwriter/film-maker Gregory Page, Brosseau and Correa began with a repertoire of Leadbelly, Woody Guthrie, Sister Tharpe, and gave themselves a few months to explore vocal ranges, harmonic combinations and how best to tread a path taken by several decades of musicians before them. There is an undeniable timelessness to Tom and Angelas work here something we have seen before in Tom Brosseaus FatCat releases under his own name (three full length albums and a handful of singles) a gracious and praising nod to the frankness and honesty of the great folk songwriters whose work they recount, and yet this album does not sound like a simple reissue from the vaults or conventional covers album. The Americanised calypso popularised by the Andrews Sisters Rum and Coca Cola here is dulcet like a lullaby, but swaying like its tropical origins; Bob Dylan cover The Lonesome Death of Hattie Carroll is stripped of its chorus, solemn and accorded a perfectly matched, snaking two-part harmony.
Incredibly, all of these tracks were recorded by Tom and Angela in the formers LA villa using a minidisc recorder and a battery-powered microphone set up on the kitchen table. The results are a close, intimate set of recordings that bring the listener into that kitchen as Tom writes, standing shoulder-to-shoulder with Les Shelleys, breathing the same air of the room. By eschewing textual complexity in favour of a simple acoustic guitar and voice combination, Tom and Angela allow a focus on the purity and sweetness of their intermixed voices. Tapping into those inherently romantic and tender qualities of vocal harmonies that serve pop and folk music so well, an instantly likeable, charming personality is given to a time-tested songbook.
Selecting their tracks from the widest range of composers and trad pieces, from 1930s-40s hydroplane racer-turned-bandleader Guy Lombardo to Dylan to Tin Pan Alley jazz composer Peter DeRose, Les Shelleys are as historically well-informed as they are musically capable and accomplished. Tracks regularly reach sublime peaks of gorgeous vocal interlocking and of beautiful playing rallied by tiny snippets of background noise captured by the single microphone in a room with windows and doors open, floorboards creaking, distant dogs barking lending a hopelessly affectionate and personal idiosyncrasy. More at http://www.myspace.com/lesshelleys